DANIEL MUNTEANU
Something About

Daniel Munteanu

An important part of my work is concerned with Macro
experiments and with finding new ways to enhance what nature
already placed there and understanding how one can give
objects and sets their corresponding meaning and fill them with
a particular energy.

The Artificial Light Macro section is a particular quest aiming to
achieve crisp, noise free results, using different lighting
techniques. It has been developed into many different branch
projects which have different stage sets characteristics which
bring them apart.Attention and innovation would be the main
terms, imbued in a certain vision and atmosphere you wish to
embed in the images, and overall, patience, searching,
organizing and working nights.

All the images from the A.L.M. galleries are realized with the
following idea in mind: to be as close to true photography,
made from the camera, though in a now digital age. This means
that they do not involve any kind of photo manipulation, all
objects and environment conditions are simulated and placed
on the 'studio stage'.

The corrections applied are as follows: the corners of the image
are redone/filled/cloned in the Minutes subcategory, due to a
specific workflow and necessary reflection acquirement.In
other cases, very small areas are repaired, a few highlights
removed - and those last changes are seldom. Objects are not
duplicated/cloned,
but hand placed:)


The other are normal post production technical adjustments in
Photoshop - many images are HDR processed and locally
adapted - color corrections, curves, shadows, saturation, a bit
of noise removal and sharpening, all applied to more or less,
depending on the case.
Nature fascinates me as a whole and I try to explore it as best
as I can, paying attention to the details and light conditions one
may just pass by. Many a time it was better to leave the
trodden path in favor of some exploring. In time you will have
trained your eye to search and be gladdened by the fine and
small parts of the world.



Among the images that are related to movement, I nominate the
Moved Light section, in which light is stretched and shifted (be
it by a horizontal or vertical camera movement) and becomes
trails,fireworks, likeness to particles in motion.
Painting with light should be just as random as you want it,
sometimes achieving abstract, fairy-like results.

In the future I intend to develop the Artificial Light Macro
staged sets and continue with new series, also to expand and
enlarge the dimensions of the sets and continue to use new
materials, to combine different parts of natural elements with
man made artefacts and substances.I will also try to create
more organic environments, to have a more sense of natural,
random growth, but actually to be arranged with care or think
up simple and elegant scenes.

Also, compositing A.L.M images with Glow World images and
animating part of the scene sounds like a good path.
CONTACT:passionofart@adacartianu.com