| Sarah Raskey |
| Something About Sarah Raskey Sarah's original interest in art stems from a passion for creating combined with a profound interest in psychology and desire to connect with others. As an undergraduate student painting was Sarah's major field of study. After graduation, she has continued her deep commitment to continuing to work as an artist. She believes in the power of art to provide people with a deep and exciting language for communicating ideas and sharing emotions. Through the activity of painting and the creative process Sarah has found new avenues to express, and reflect upon, her own inner experience and personal growth. She is intrigued by the possibility of exploring this process with others and feels strongly about the benefits of including art in an individual's life. Sarah attended Illinois State University on an art scholarship in 1998 and graduated with honors in 2002 with a Bachelor of Fine Arts. It was during these four years that Sarah spent most of her time in the studio as well as taking many courses in both psychology and art therapy. Through her personal experience within the Chicago-land communities Sarah came to realize how much she enjoyed working with and helping others. She has had opportunities to work with the elderly, the homeless, those with disabilities and mental illness, as well as individuals at a shelter for battered women and children, sexual assault survivors, and a variety of non-for profit agencies. Through each of these experiences, she has learned a great deal including how to be patient, a keen observer, and an attentive listener. Sarah went on to obtain her Master of Arts in Counseling Psychology: Art Therapy, at the Adler School of Professional Psychology in 2004. Since 2004 Sarah has worked as a fulltime clinical therapist specializing in Art Therapy at a non for profit behavioral healthcare agency in Flossmoor Illinois. When asked about the role art plays in her work in which she treats individuals, families, and groups suffering from severe psychological or emotional/behavioral problems and/or mental illness, Sarah says: "I truly feel that the creative process is the life process. It includes and integrates everything about who we are and how we choose to be and function in the world. The art product reveals the meaning we give to life, our choices, fears, desires, and dreams. When we explore our art, it can lead us to our uncensored truth, authenticity, and possible solutions." In February of 2005, Sarah created a protocol and implemented two separate psychotherapy groups within the child and adolescent program at Grand Prairie Services. These groups include a teen girl empowerment group and an art expression group for younger children that continue to meet weekly. Sarah is a registered Art Therapist and is currently working towards her LCPC licensure |
| Artist Statement My current body of work articulates and draws inspiration from a myriad of sources such as poetry, psychology, personal feelings/experiences, but mostly the connections and moments shared between people. While working as a professional art therapist I have had the opportunity to meet many individuals and families and to listen to their stories. While my artwork is not limited to connections based on my work as a therapist, being a therapist allows me to spend much meaningful time with a diverse range of clients/people. This sets the stage for unique discussions in regard to an individual’s beliefs, feelings, passions, trials and triumphs, fears, and how they make sense of their time here. What is most important for me during these encounters is that I am given the opportunity to connect with people for who they are, in their own “here and now moment” with all of our seemingly differences aside. I then take those very human moments and express them via my own artwork to reflect upon the power of shared human experience. I try to capture the purity, unpredictability, and rawness of each moment. I then look to share my work with others allowing further processing, connections, engagement and introspection. Ultimately my artwork gives me an appropriate space in which to reflect upon these encounters and often inspires highly individualistic pieces. With this in mind I begin my work intuitively. I am intrigued by the significance and adequacy of our own insight and visceral wit when producing art. I often use a process of staining during the first stages of the work then add a variety of organic inscribed cavities on a level of semi- unawareness. There is often a long process of layering different textures and pigment to provide a sense of depth and something to be discovered. I would like to stress; my work is not based on formula, but based on intuition via stream of consciousness. By this I mean I avoid any formulaic procedures at first, I do however try to consciously address compositional and technical conclusions decisively. Repeatedly during the process, I stand back and resolve visual complications. In doing so, I study and contemplate additional elements that would make the piece more representational of the experience/connection that has come to mind. Having said this, my work often varies from piece to piece, as each represents a unique connection, relationship, or person. I try to work the composition in the all over methods employed by modernist artists working out of abstract expressionism. Working the composition in this all over way brings forth the notion of evolution and change. Often prevailing my obsession for the combination of tumult and harmony I strive for while working. Theoretically speaking, one of my ongoing goals is to sustain this investigation of this "intuitive metamorphosis." I enjoy experimenting with different media and techniques in painting (both traditional and nontraditional) applying them in such a way with color sensibility to provoke certain emotional responses. |

| CONTACT:passionofart@adacartianu.com |




