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PASSION OF ART

GALLERIES

Listings

* Anderson Scott

409 N Wolcott Ave (312) 492-7130
Chicago, IL 60622-6253

* Art & Design

329 W 18th St (312) 491-1400
Chicago, IL 60616-1120

* Art In Motion

222 Merchandise Mart Plz (312) 467-9313
Chicago, IL 60654-1103

* Artworks Chicago

Evanston (312) 642-4907

* Aungkhmageddon Enterprises

721 E 88th (773) 873-1818
Chicago

* Eidolon Art Studio

7001 N Glenwood Ave (773) 381-5462
Chicago, IL 60626-2812

* Jannes Fine Arts LLC

4850 W Belmont Ave (773) 282-2247
Chicago, IL 60641-4329

* Kai Koto

161 E Erie St (312) 280-1661
Chicago, IL 60611-2817

* Lucky Art

3209 E 92nd St (773) 978-1085
Chicago, IL 60617-4613

* Mineral Arts Inc

520 N Michigan Ave (312) 464-0655
Chicago, IL 60611-6982

* ProForma

3065 N Rockwell St (773) 463-0026
Chicago, IL 60618-7934

* Prop Art

1535 N Western Ave (773) 227-6755
Chicago, IL 60622-1749

* Sacred Art

2040 W Roscoe St (773) 404-8790
Chicago, IL 60618-6226

* Thompson Art Co

319 N Albany Ave (773) 533-0506
Chicago, IL 60612-1751

GALLERIES NEW YORK

LISTINGS

Adirondack Lakes Center For The Arts
Route 28, Blue Mounutain Lake,
Ny 12812
Telephone No. 518 352-7715

Albany Center Galleries
23 Monroe St., Albany ,
Ny 12210
Telephone No. 518 462-4775

Anderson Gallery
Martha Jackson Place, Buffalo,
Ny 14214
Telephone No. 716 834-2579

Art Dialogue Gallery
One Lindwood Ave, Buffalo,
Ny 14209-2203
Telephone No. 716 885-2251

Artforms
5, New Karner Road, Guilderland,
Ny 12084
Telephone No. 518 464-3355

Burchfield Penney Art Center
Bufalo State College Museum,
1300 Elmwood Ave, Buffalo,
Ny
Telephone No. 716 878-6012

Cepa Center For Exploratory And
Perceptual Art
617 Main St. No.201, Buffalo
Ny 14203 Chapman Art Center Gallery
Cazenovia College, Cazenovia,
Ny 13035

James Cox Gallery At Woodstock
4666 Rt. 212, Willow,
Ny 12495
Telephone No. 914 679-7608

Guild Hall Museum
158 Main Street, East Hampton
Ny 11937
Telephone No.516 324-0806

Kirkland Art Center
East Park Row, P.O. Box 213 Clinton
Ny 13323-0213
Telephone No.315 853-8871

Leatherstocking Gallery
52 Pioneer Street,
Po Box 446, Cooperstown
Ny 13326
Telephone No. 607 547-5942

Oxford Gallery
267 Oxford Street, Rochester
Ny 14607
Telephone No.716 271-5885

Prakapas Gallery
1 Northgate 6b, Bronxville,
Ny 10708
Telephone No.914 961-5091

Print Club Of Albany
140 N. Pearl St., P.O. Box 6578,
Albany,
Ny
Telephone No. 518 432-9514

Pyramid Arts Center
302 N. Goodman Street, Rochester
Ny 14607
Telephone No.716 461-2222

Rockland Center For The Arts
27 S. Greenbush Road, West Nyack,
Ny 10994
Telephone No.914 3580877

Soundview Art Gallery
35 Chandler Square, Port Jefferson,
Ny 11777
Telephone No.5164739544

Spoke Gallery
299 Main St, Huntington
Ny 11743
Telephone No.516 549-5106

The Schoolhouse Galleries
Owens Road. Croton Falls,
Ny 10519
Telephone No. 914 277-3461

The Graphic Eye Galelry Of Long
Island
301 Main Street, Port Washington,
Ny 11050
Telephone No. 516 883-9668

MEXICAN ARTIST
IGNACIO FARIAS

The new discovery of "Passion of Art"
artistic society, Mexican artist IGNACIO
FARIAS creates an impressive collection of
art-works in a very individual harmony and
blending.
Any media is good; any tool too. From
pencil and paper to brushes and canvas or
spatulas or syringes or combs or icepicks,
cameras, darkroom and obviously
nowadays all digital resources.

IGNACIO FARIAS sustains "The only real
rule in Art is that there are not rules". So
he dares with media and tools and with
images and ideas as well. The results are
amazing, astonishing. Colors,
compositions, subjects, perspective, depth.
He keeps producing. And this is the
essence of his biography and his
philosophy: an efflorescence of images
and ideas.
Some of the most beautiful words I heard
in a couple of years coming from an artist
heart belongs to IGNACIO FARIAS; he said:
" I believe in dreams, so much; that I even
want to paint them."

His dreams becomes real in his passion of
art, a passion for a unique expression of
beauty without borders, without old
theories about how art it suppose
to be.
IGNACIO FARIAS is a new vision and
perspective in art; he is one of a kind.

ROMANIAN ARTIST
DAN COLCER

Artist Dan Colcer traveled around the
world exposing his amazing art in
European and American galleries.
His passion of art is an explosion of colors
and unique ideas pointing out a talent
without borders between reality and
imagination, creating a union between
canvas, brushes, dreams and a visionary
eye who can see the world in a such a
different way.
Dan Colcer creates for art lovers a new
horizon of introspective life which gives in
the same time a feeling of happiness and
tragedy, a feeling of love and betrayal, an
unique feeling of irony regarding world and
society.
In his art you can find a controversy of life
and human condition associated with a
comico-tragedy-reality in a trio which
screams the hazard of a modernity wrong
understood by ignorant consciousness.

DAN COLCER

Monika K. Adler
Monika K. Adler was born in Poland. She graduated from the School of Fine Arts and the European Academy of Photography in Warsaw,
Poland. Her works have been shown in scores of exhibitions in Eastern Europe and published in trade magazines but Monika wanted to reach
Western Europe and it seems in that world, to make it as an artist, you must be willing to not only sell your pictures but also your soul.
It was in a Paris café that I first bumped into Miss Monika K. Adler. She was sitting in the window of Starbucks following her daily routine of
a large cup of tea before venturing down to the Galerie La Tour in Louvre-Rivoli where her pictures were on show (no easy task) .
On first glimpse of her work, I was immediately blown away by the poignancy in this picture - saturated with signification. Having just come
from London and a political climate of War and pro-human rights, these pictures spoke volumes. In the UK recently, there seems to have been
an increasing awareness of the subordination of women in many countries and the many forms it takes; from the killing of baby girls in China
to female castration in Africa and the Taliban’s regime of the degradation of women.
Monika’s pictures seem to give a voice to these women.
Many artists portray the naked female body with a submissive quality; laid back poses, paintings of women naked with their babies and women
relaxing in the nude are all common. The talent in Monika’s pictures lies in her ability to retain the femininity of the female and at the same
time, show the innate power that lies within it. Her model’s poses are far from submissive. The power of the naked female body - far from
subordinate - is a strong dichotomy in the masked girl. The defiant stance and pride in the nakedness of her genitalia along with the expression
in the eyes and the stiletto shoes fights against the masking of the face and the hands tied behind the back. Her ‘gaze’ taunts the voyeur to look
her in the eye, to look away from her nakedness and into her soul. To look at her and regard the authoritarian, totalitarian male – war, rape and
the brutalisation of the people.
This image gives a voice to those women who cannot speak for themselves. It speaks against those forces that cover the female body and put
it under wraps for exactly the reason displayed in this picture; the female body has a dangerous power. It can reduce men to a quivering,
helpless state, physically and emotionally inferior in that moment to the woman hence ‘feminine’ denotes in this picture, the very opposite of
the dictionary definition. The religious and cultural connotations are expressed in the stark ironies of the Burkhart style face mask in contrast
with the naked genitalia and the world wide symbol of aid seen commonly in War situations - the Red Cross – which in this picture, is not
helping the woman from her binds.
It’s criminal for the world to be deprived of Monika’s talent; for the millions of women who could be motivated and empowered by these
pictures to be deprived the opportunity to see them. Long live matriarchy.

Article by Nicola Carley /London

Monika K. Adler

Escha van den Bogerd

For anyone who appreciates the study of the nude figure, Escha's work is a treat.
Combining striking compositions against an abstract background in complete harmony,
she creates paintings that are strong in their content, yet delivered with underlying
femininity and sensitivity.
She learned her skills from art schools all around Europe, including ones in Florence and
Salzburg, as well as in her native Holland, where she first studied at the Rudolf Steiner
school. Favouring mainly to work in acrylic, she adds to this dripping, pouring and
glazing techniques so that her work always demonstrates a certain vibrancy. The static
nature of the nude gains an enlightening insight into the energy of the character beneath,
with dashes of paint layered around the figure to create a buzzing backdrop.
Sometimes her scenes are not so abstract, as the influence of her many years spent
travelling is brought in. Some show figures in hamams, the middle-eastern public baths,
or geisha type girls inspired by her time spent in Japan. Escha is particularly interested in
this cross-section, of harnessing the spirituality of the orient and using her own painterly
style that developed under the contemporary European school. The refreshing thing about
her work is this combination of the traditional figure painting with her contemporary style
and influence of the many countries she has visited. There is nothing staid or fussy in her
work, instead there is a sense of the exotic and dream-like, evoked through her subtle
palette and dynamic brushstrokes. There is no feeling that the figure is formally arranged,
rather we get the feeling we have caught a glimpse of a natural moment. Her longest time
spent abroad was in New Zealand where she lived for four years and was where she first
started exhibiting, she soon afterwards had exhibitions in Japan, Europe and the US. She
is available via Londonart to undertake portrait commissions, and her prices start from
around £340, preferring to work form photographs rather than several sittings.
Apart from portraits she has produces murals for adults and children and has worked for
art publishers in Europe on her travel themes. Escha is currently living back in Holland,
and continues to paint prolifically. Many of her works can be viewed on the Londonart
site, where her style has proved constantly popular.

Article by London Art Magazine

Escha van den Bogerd

GO BACK HOME

FLAT IRON BUILDING
- COYOTE ART CENTER -

For Wicker Park artists, the Flat Iron Art Building, where a small room without a sink or a toilet
is affordable at about 600 bucks a month, is considered their sanctuary. A bold presence at
Milwaukee, North and Damen, the triangle-shaped, three story wrapped in terra cotta was
built in 1913 by Holabird & Roche -- the guys who designed the Chicago Board of Trade and
the Palmolive (Playboy) Building.

And until they're replaced by a bank branch later this year, you'll find a hipster coffeehouse
and hot dog stand on the first floor. Down the street there's posh supper clubs, rock music
halls, flashy boutiques and a place where ladies can buy flashy high heels.

Go ahead, walk inside. Up the wide staircase, a labyrinth of dim hallways leads to bohemia
that once was dentist offices.

Romantics like to say the Flat Iron culture is like Paris in the '20s or Andy Warhol's "Factory"
in midtown Manhattan during the '60s. The place produces lots of great artwork, and there
have been some spectacular impromptu parties in the hallway.

Bartender Joe Sikora paints and lives on the third floor. As you enter his studio there's a
scent of drying oils, and a table overflowing with used paint tubes. Giant, bold, spectacular
canvasses on the wall grab you. There's a dropcloth on the wood floors around an easel, a
bottle of wine and a corkscrew in arm's reach.

He's been flirting with Wicker Park since high school when he'd take the South Shore Line
from Northwest Indiana to check out record stores and art galleries.

Like the neighborhood, Sikora's changed a lot since then. He's been to college. Painted in
Paris. Lived on ramen noodles. Stuff that makes you hungry for success. And the powerful
clash of bohemia and affluence on his corner inspires him and his Flat Iron pals.

"There's all these crazy people and always stuff happening. The people here inspire each
other ... Hopefully, nobody is ripping each other off blatantly," he says, referring to his artist
neighbors, not those guys we used to call bums.

The panhandlers are part of the creative stew. There was the time a Flat Iron artist undertook
a rather cruel social experiment aimed at answering the question: What will a beggar do for
20 bucks?
Here's how it worked: A guy baited hooks with $20 bills. He cast his line from a third-floor
window like a Bassmaster, dangling the cash near a neighborhood spare-change collector,
who would run and leap and stumble as the guy kept the cash just out of reach. If you toss
20 bucks out a window, the experiment proved, some of those guys can really move.
The fisherman, who has since moved out of the Flat Iron, lost about $200 in bait.
When he was done, one enterprising fellow climbed the stairs, banged on his door, said he
sprained his ankle running after a 20-spot and was gonna sue. The matter was settled out of
court. That was the last of fishing for people.

Still, the Flat Iron is a serious artist colony. Knock on any door, and you'll find an old master
like Adam Siegel, or suburban pastel painter Kevin Moeller, or bearded troubadour Jaik
Willis or eccentric artist Karen Gagich, who paints tiles.

''There's all kinds here and everybody is free.
There's no hangups,'' Moeller says.
''You have sexual freedom, artistic freedom.''

Which makes for pretty interesting gatherings.
Bawdy, wine-soaked nights spent playing music,
dancing and talking nonstop in a fog of cigarette smoke
and sexual tension that lasts till late morning.
The soirees don't happen so much anymore.
And the demure refuse to provide details.
Just say everyone has a good time, Moeller says.

The Flat Iron is busiest the first Friday of every month, when the artists open their studios to
strangers.
That's when you can catch Moeller drinking cold ones and selling paintings with Sikora,
check out just about every gallery or entice Willis to break out his guitar and sing (take a
listen).
But you have to see the Flat Iron for yourself. It's what's left of what Wicker Park used to be.
Stop by any time. Most artists welcome a rap on the door.
And if you go, make sure you buy something.

ARTIST KAREN
GAGICH

      Photographer
  KEVIN O'CONNELL
     IN ANTARCTICA

                                   Our member, photographer
                                   Kevin O'Connell return to
                                    Chicago from Marshall
                                    Islands just a couple a
                                    weeks ago after a photo
                                   shoot regarding the life and
                                   nature on the islands.

He couldn't resist more to the inspiration of an
amazing place like Antarctica and decided to spend
there 6 months during this year and the beginning of
2008.
One week ago he packed his suitcase and left with
the camera hanging on his shoulder in one of the
biggest adventure of his life - ANTARCTICA!
He is getting prepared for a new collection of
photography which will be expose in a gallery in
Chicago next year after his return.
Part of his new collection it's going to be expose at
"Passion of Art" during his staying in Antarctica.
DON'T MISS HIS NEW COLLECTION!

KAREN GAGICH